‘Prayer Trees’

April 15 – 30, 2022, Campo, Playa Guiones, Nosara, Costa Rica

This latest body of work is shaped by the artist’s interest in exploring multiple semantic systems including the mystical-allegorical language of alchemy and classical Greek mythology along with Christological symbolism drawn from Byzantine and early Renaissance painting and illuminated manuscripts. She is drawn to themes and allegories of light, shadow, transformation and metamorphosis from human to plant or animal form, along with the transmutation of the individual from the physical to the spiritual realm. The artist continues to derive deep inspiration from the potent natural world that surrounds her in Costa Rica, specifically the Pulmeria tree as representative of a central icon, adorned with talismans for prayer and contemplation. The catalyst for the artist’s interest in creating this personal spiritual practice was born out of her transformative battle with cancer and a desire to reexamine herself, her cultural identity as a Greek-American living in Costa Rica, and what she seeks to invoke and manifest moving forward.

Inspire me, O gods and spin me a thread from the worlds beginning down to my own lifetime, in one continuous poem.
- Ovid, Metamorphoses


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‘A Year Lived in Color’

2023, Campo, Playa Guiones, Nosara, Costa Rica

Pacific Color Palettes, Ocean Series, March 2021-March 2022. A project of daily meditations on color, place and the passage of time, reflecting the experience of living throughout the year alongside the Pacific Ocean in Playa Guiones, in Nosara, Costa Rica. Watercolor on Watercolor Paper and ranging in size from 6 x 4 in (15.24 x 10.16 cm) and 10 x 6 in (25.4 x 15.24 cm)

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‘Spirit of Place’

March 25 - April 2, 2022, Playa Guiones, Nosara, Costa Rica

Created over the past two years, Fakatselis’s recent body of work is deeply linked to the natural environment of Playa Guiones and the Campo property where the artist lives and works. For Eva Fakatselis: Spirit of Place, the artist has produced a system of motifs—of trees, crabs, shells, birds, and self-portraiture—that conjure the spirit of this place and that double as talismans, finding visual expression for the re-imagining of herself and her world after cancer treatment. It is especially meaningful to stage this exhibition, and share this work, at the site of its origination in Costa Rica. The exhibition was presented in three parts: the Gallery, the Studio and the Garden, wherein abstract works on canvas hung from the trees on site.

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